Brad Pitt

ON THE SILVER SCREEN: TANKS FOR THE MEMORY (FURY)

 

"The first casualty of war is innocence."

- Tagline, Platoon (Oliver Stone, 1986)

By Brian Lafferty

November 18, 2014 (San Diego) – In the 28 years since Platoon's release, its tagline quoted above has become more and more relevant in light of the world events that followed it. This includes, but is not limited to, the Gulf War, the Iraq War, and Russia's invasion of the Ukraine. With the way things are going, it looks at this point like those are just for starters.


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ON THE SILVER SCREEN: SOUTHERN INHOSPITALITY (12 YEARS A SLAVE)

 

By Brian Lafferty

November 1, 2013 (San Diego) -- If there are any contemporary filmmakers more daring than Steve McQueen, I'm hard pressed to name one.  His first film, Hunger (2008), starred Michael Fassbender as Bobby Sands, the Irish Republican Army Volunteer who led a hunger strike in a British prison and died in 1981.  He followed it up with Shame (2011), which also starred Fassbender, this time as a yuppie with a grossly unhealthy sex addiction.  The MPAA gave it an NC-17 rating for its frank and explicit depiction of sexual acts, and rightfully so, but Fox Searchlight left it as is.


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ON THE SILVER SCREEN: THE RUNNING DEAD (WORLD WAR Z)

 

 

By Brian Lafferty

June 21, 2013 (San Diego) – After a long and troubled production history going back to 2007 – none of which needs to be rehashed here – World War Z is finally here.  It’s a simple pulpy globetrotting zombie flick starring Brad Pitt as Gerry Lane, a former member of the United Nations called into action to combat a worldwide zombie pandemic.  Such a simple plot, yet it serves a movie so confounding that I may never know if it’s good or bad.  If I were to look at it from every respect, it would be split right down the middle at 50%.  I can make strong arguments from both sides.


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HOME VIDEO HERALD: MONEYBALL (DVD)


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ON THE SILVER SCREEN: MEDITATION OF LIFE

By Brian Lafferty

 

June 10, 2011 (San Diego) – The Tree of Life isn’t merely a movie. To call it an experience would be putting it mildly. It’s films like this that make me say, “This is why I go to the movies.” Only one other movie elicited such a response from me since I’ve been a film critic and it happened to be the best film of 2010: Gaspar Noe’s Enter the Void.

 


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