Nikolaj Coster-Waldau
ON THE SILVER SCREEN: HUNTING HIGH AND LOW
By Brian Lafferty
May 4, 2012 (San Diego) – Roger Brown (Aksel Hennie) is not your typical thief. In fact, he’s your typical man. You would never guess that this meek, average businessman is a master art thief so skilled at his craft that he leaves not a single trace of evidence behind. Hennie, at first, does too good a job; his character is undistinguished to the point where he is dangerously close to being too hard to buy.
ON THE SILVER SCREEN: YOU CAN'T GO WEST AGAIN
- October 2011 Articles
- On the Silver Screen
- Columns
- Blackthorn
- Butch Cassidy
- Butch Cassidy and the Sundance Kid
- Dominique McElligott
- Eduardo Noriega
- Juan Ruiz Anchia
- Landmark La Jolla Village
- Landmark Theatres
- Lucio Godoy
- Magaly Solider
- Magnolia Pictures
- Mateo Gil
- Michael Giacchino
- Miguel Barros
- Nikolaj Coster-Waldau
- Padraic Delaney
- Sam Shepard
- Stephen Rea

By Brian Lafferty
October 14, 2011 (San Diego) – Butch Cassidy and the Sundance Kid ended on a famous freeze frame shot. It was right up there with the famous shot of Antoine Doinel looking at the camera to cap Francois Truffaut’s The 400 Blows. The Bolivian army surrounded Butch and Sundance. They emerged from hiding, guns blazing. The movie ended on a freeze frame of the two with the sound of gunfire blasting away.










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