By Brian Lafferty

Photo courtesy of Warner Bros. Pictures

October 26, 2012 (San Diego) – As my friend and I drove home after the Cloud Atlas screening, we at first didn’t know what to make of it.  It’s a very cerebral film, one that elicits comparisons to Terrence Malick’s The Tree of Life and Michelangelo Frammartino’s Le Quattro Volte for its unconventional storytelling technique that leaves it up to the viewer’s interpretation, as well as its heavy reliance on cinematography.