By Brian Lafferty

September 17, 2010 (San Diego)--The Town opens with Ben Affleck and his crew robbing a bank. The action here is standard but one shot stands out. Rebecca Hall, playing a Bank Manager, is forced to open the safe. She shakes as she tries several times to get the correct combination. She’s under pressure because the cops are on their way and because she has a gun to her head. She finally manages to get it open. This looked promising; Affleck, who also directed and co-wrote, shows a knack for directing suspense despite the otherwise ordinary robbery.

By Brian Lafferty

September 6, 2010 (San Diego)--Neil Marshall is a British writer/director renowned for the amount of blood and gore he includes in his films. Sometimes he’s visceral as in Dog Soldiers. He can be gleeful and cartoonish about it like he was in Doomsday. In The Descent, the violence was unpleasant. In the case of Centurion, he is gritty and realistic. Even if it appeared gratuitous, I didn’t mind because I had a lot of fun watching it.

By Brian Lafferty

May 22, 2010 (San Diego)--In 2001 Dreamworks released Shrek. Based on a children’s book, the movie was an inventive, clever, and witty satire of fairy tales. It was a huge hit and spawned three sequels, the last of which being Shrek Forever After.

By Brian Lafferty

February 8, 2010 (San Diego)--The first scene of Edge of Darkness is a home movie featuring a little girl at the beach. This little girl is the daughter of a Boston Detective (Mel Gibson) who grows up to be a trainee at a corporation specializing in handling nuclear waste. Within the first five minutes, Gibson’s daughter comes home, gets sick, then is shot to death and dies in Gibson’s arms. After learning who was behind his daughter’s murder, he swears revenge against the evil corporation.

 By Brian Lafferty

January 31, 2010 (San Diego’s East Count) -- The Lovely Bones is a movie that had me sitting on the fence the entire time I was watching it, right down to the end credits. This was a film where it isn’t as easy as yes or no in terms of recommending it and strong arguments can be made from either side.

By Brian Lafferty

January 12, 2009 (San Diego’s East County)--While watching The Imaginarium of Doctor Parnassus I could not help but remember a film with elements similar to it. That film would be The City of Lost Children, a 1995 French film co-directed by Jean-Pierre Jeunet (Amelie) and Marc Caro. Like The City of Lost Children, Doctor Parnassus contains eccentric characters (in both physical appearance and personality), lush cinematography and set design, and an interesting narrative that is barely coherent yet rewarding at the same time. I loved it.