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ON THE SILVER SCREEN: TANKS FOR THE MEMORY (FURY)

 

"The first casualty of war is innocence."

- Tagline, Platoon (Oliver Stone, 1986)

By Brian Lafferty

November 18, 2014 (San Diego) – In the 28 years since Platoon's release, its tagline quoted above has become more and more relevant in light of the world events that followed it. This includes, but is not limited to, the Gulf War, the Iraq War, and Russia's invasion of the Ukraine. With the way things are going, it looks at this point like those are just for starters.

ON THE SILVER SCREEN: THE RUNNING DEAD (WORLD WAR Z)

 

 

By Brian Lafferty

June 21, 2013 (San Diego) – After a long and troubled production history going back to 2007 – none of which needs to be rehashed here – World War Z is finally here.  It’s a simple pulpy globetrotting zombie flick starring Brad Pitt as Gerry Lane, a former member of the United Nations called into action to combat a worldwide zombie pandemic.  Such a simple plot, yet it serves a movie so confounding that I may never know if it’s good or bad.  If I were to look at it from every respect, it would be split right down the middle at 50%.  I can make strong arguments from both sides.

HOME VIDEO HERALD: MONEYBALL (DVD)

By Brian Lafferty

 

April 24, 2012 (San Diego) – As a die-hard San Diego Padres fan, I sympathize with Billy Beane, the subject of Moneyball. I can understand the frustration with the financial constraints that can befall a small-market team like the Oakland As. It’s unfair that the New York Yankees and Boston Red Sox happen to be situated among the nation’s top media markets and can afford to spend ample amounts of dollars to lure in free agents.

 

ON THE SILVER SCREEN: MEDITATION OF LIFE

By Brian Lafferty

 

June 10, 2011 (San Diego) – The Tree of Life isn’t merely a movie. To call it an experience would be putting it mildly. It’s films like this that make me say, “This is why I go to the movies.” Only one other movie elicited such a response from me since I’ve been a film critic and it happened to be the best film of 2010: Gaspar Noe’s Enter the Void.

 

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