By Brian Lafferty

August 22, 2010 (San Diego)--Cairo Time is a film best appreciated as art. Forget the simplistic, nearly nonexistent plot involving a budding affair between an American woman and her husband’s Egyptian friend. I admired this film for it’s cinematography and it’s visual style which included such lyrical imagery as the Pyramids, the mosques, the streets, the desert, and the Nile. The script, not unlike the characters, wanders almost aimlessly but I liked where it took the characters and I enjoyed where it took me.

By Brian Lafferty

August 8, 2010 (San Diego)--Felix Booth (Robert DuVall) is an older, grouchier Boo Radley. It’s fitting, given that DuVall’s first movie role was the enigmatic recluse in the 1962 classic To Kill a Mockingbird. He is always the subject of gossip, which may or may not be true. Kids often trespass on his isolated property deep in the woods to see if the old man is there, only to be chased away with a shotgun.

By Brian Lafferty

July 30, 2010 (San Diego)--Intelligently dumb may sound like an oxymoron but it is the best phrase I could use to accurately describe Dinner for Schmucks. It is at times goofy and stupid but there is always a certain astuteness that permeates throughout the material without coming off as pretentious. The “dinner” doesn’t arrive until the second to last reel and it is a little bit of a letdown but that doesn’t mean the lead-up isn’t hilarious at times.

By Brian Lafferty

"This is one of the best movies of the year." -- Brian Lafferty

July 22, 2010 (San Diego's East County)--Dreams have always been part of  cinema. A common film use is the “it was only a dream” stunt applied to generate cheap thrills and groans (Jaws: The Revenge) or to foment laughter (A Serious Man, An American Werewolf in London).  Dreams have also acted as visually expressive tools to reveal character or relay exposition (Salvador Dali’s dream sequence in Alfred Hitchcock’s Spellbound). Sometimes, dreams have been used to shock the audience (the movies of Luis Bunuel, particularly Un Chien Andalou, which opens with an eyeball being slashed).

Dreams may be old subjects in motion pictures, but with Inception Christopher Nolan has delivered one of--if not the most--original movie of the year, taking the concept in many new directions I never thought possible.

By Brian Lafferty

July 2, 2010 (San Diego's East County)--There is a scene at the beginning of Cyrus in which John (John C. Reilly) tries to pick up a woman at a party. The problem is he can’t get the words out and gives up. Later, he meets another woman, Molly, (Marisa Tomei) who describes the conversation he had as raw and honest. Those two words are not just true about the failed pick-up: they accurately describe this movie.

By Brian Lafferty

June 24, 2010 (San Diego's East County) -- Knight and Day was a movie that gave me fits. That’s something I did not expect from a movie starring either Tom Cruise or Cameron Diaz. These two stars are reunited for the first time since Cameron Crowe’s Vanilla Sky in 2001. That movie, while not their best, was at least interesting, thought-provoking, well-acted, and most of all, not the least bit boring. The same cannot be said for Knight and Day, which tries to be like James Cameron’s 1994 action flick True Lies but winds up only paling in comparison.

By Brian Lafferty

June 18, 2010 (San Diego's East County) -- I remember the day I saw Toy Story in the theater way back in 1995. Back then I was used to the traditional animated fare. Nothing could prepare me for it. That movie was unlike anything I had ever seen. I sat in the theater simply mesmerized. Fifteen years later Pixar has released the third installment in this series. It is a rarity: a third movie in a trilogy that is as successful as its prequels.

By Brian Lafferty

June 4, 2010 (San Diego) -- Maybe Hollywood should focus on making comedies instead of romantic comedies. After enduring such sludge as When in Rome and The Bounty Hunter earlier this year, it has, in the past few months, been a welcome relief to see laugh out loud films like Death at a Funeral and Get Him to the Greek, which opens today.

By Brian Lafferty

May 14, 2010 (San Diego) -- Robin Hood is the year’s first big disappointment, considering the people involved in making it. Directed by Ridley Scott, it stars Russell Crowe as the title character and fine actress Cate Blanchett as Maid Marian. As always, Scott demonstrates his ability as one of the most visual directors out there today, teeming with expertly crafted shots that nearly give the film an epic feel. Crowe and Blanchett do not disappoint in the acting department. It is not a bad movie by any means but rather aggressively unsatisfying; to paraphrase Sean Connery from the 1976 film Robin and Marian, (a better film than this incarnation) instead of getting red meat I wound up settling for only bread and cheese.