By Brian Lafferty

September 7, 2012 (San Diego) – There are two people who have had the biggest influence on me as a critic.  The first is Duncan Shepherd, who authored film criticism for the San Diego Reader from its inception in 1972 until he retired in November 2010.  I didn't really know Duncan that well as a person.  I saw him at pretty much every screening, but I was too shy to approach him.  He was the type of critic who preferred to keep to himself, who expressed himself best in writing rather than with the spoken word.  I didn't read his criticism until I started writing for East County Magazine, but I immediately noted his frequent, adept commentary on cinematography.  If you wonder why in every review I write these days I talk about image, this is part of the reason.

By Brian Lafferty

By Brian Lafferty

By Brian Lafferty

By Brian Lafferty

Catching up on a few I missed.

By Brian Lafferty

July 9, 2012 (San Diego) – Leave it to Oliver Stone to take sleazy, salacious, and lurid material and transform it into art. Very few filmmakers can make graphic violence so lyrical without pretension the way Stone does in Savages. On the surface the film is trashy, but if you look deeper, this trash has class.

By Brian Lafferty

June 11, 2012 (San Diego) – I attend every screening with a pen and small notebook in hand. I have a strong visual memory, but it never hurts to jot down certain things I may later overlook. For Prometheus, I wrote only three brief sentences before I put the notebook down. This film had the tractor beam effect on my eyes. I sat fully entranced, unable to look away.

By Brian Lafferty

By Brian Lafferty

By Brian Lafferty

By Brian Lafferty

By Brian Lafferty

April 13, 2012 (San Diego) – The plot synopsis is the easiest part of writing film criticism. It’s also my least favorite. It puts a crimp on word counts; far too often I’ve had to jettison entire paragraphs of criticism to begrudgingly accommodate it.

By Brian Lafferty

March 22, 2012 (San Diego) – My first exposure to Vietnamese director Anh Hung Tran was in my Language of Film class at California State University, Fullerton. In this class, we had to watch at least two to three movies per week to analyze such film grammar as movement, color, rhythm, lines, space, etc.

By Brian Lafferty

March 12, 2012 (San Diego) – Have any of you encountered the **** People Say Internet meme that recently flared up on the Internet? A great friend of mine introduced me to it weeks ago. Among them are **** Rich People Say or **** Guys Don’t Say Out Loud. I’m not one to get caught up in Internet memes, so I forgot all about it.

By Brian Lafferty

March 13, 2012 (San Diego) – This year I (quietly) introduced a rating system. In short, the highest rating a movie can get is an A, a D- is the lowest rating a movie can get on the basis of being bad, and an F given to films that are not only unbearably bad, but immoral, base, incompetently shot, and beneath contempt.