Rooney Mara

ON THE SILVER SCREEN: THE UNBEARABLE SADNESS OF BEING (SIDE EFFECTS)

By Brian Lafferty

February 8, 2013 (San Diego) – The press screening announcement for Side Effects read "Please note that due to the non-linear nature of this film, we will not let anyone into screenings of Side Effects if they arrive LATE.”  The impression I got was that Soderbergh's last theatrical release - his final project is a Liberace biopic that will air on HBO later this year - would be a mind-bender like Cameron Crowe's Vanilla Sky or Christopher Nolan's Memento.  I was wrong, but the publicity people were right to deny entry to latecomers.  (Even if they didn't, I can't grasp how any critic could feel comfortable reviewing any movie they're late for.  In many cases and for many reasons too irrelevant and lengthy to list, the first few minutes are a film’s most important.)

ON THE SILVER SCREEN: "ELM STREET" WORKS AS RE-IMAGINING, NOT REMAKE

 

By Brian Lafferty

April 30, 2010 (San Diego's East County) -- Re-imagining a classic movie like A Nightmare on Elm Street is very risky, primarily because there will be constant comparisons to the original. Wes Craven’s 1984 masterpiece has garnered a spot in the pantheon of horror films and spawned numerous sequels with varying degrees of quality. I happily report, however, that the reboot, directed by music video director Samuel Bayer, is a solid piece of filmmaking.