By Brian Lafferty
September 17, 2010 (San Diego)--A lot happens in Soul Kitchen. Too much, actually. Just as a film can rarely survive on the flimsiest of plots, a movie can have just as much a hard time sustaining itself trying to balance a smorgasbord of story lines. This newest film by German director Fatih Akin suffers from a major case of plot overload. In my notes I made a list and counted six distinct story threads. For this movie that was too many.
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