Reading Gaslamp

ON THE SILVER SCREEN: A SOLEMN AFTERNOON

By Brian Lafferty

 

June 24, 2011 (San Diego) – 3 Backyards tackles one of my favorite movie subjects: A seemingly quaint, picturesque small town that masks a dark undercurrent. This foreboding, unsettling subtext is displayed in the opening title sequence, which is set against an ironic canvas of woods, houses, cats, and hummingbirds,

 


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ON THE SILVER SCREEN: SEXUAL REELING

By Brian Lafferty

 

June 20, 2011 (San Diego) – If Henry Jaglom made a movie about a young man’s sexual discoveries the result might have been something like Twelve Thirty. Jaglom didn’t direct it, but it feels like a Jaglom film. It’s talky, self-indulgent, shot with a handheld camera, and is a supposed deep character study. All that's missing are David Proval, Zack Norman, and a liberal use of the zoom lens.

 


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ON THE SILVER SCREEN: STARK RAVING NOMAD

By Brian Lafferty

 

June 18, 2011 (San Diego) – After watching Korkoro I fondly recalled the stories of my Uncle John and “the Gypsies.” When my sisters were little, he would warn them about the Gypsies and how they wouldn’t hesitate to snatch them while they slept. If you left root beer outside, maybe my sisters would have a fighting chance.

 

If only Korkoro was as interesting as these stories.

 


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ON THE SILVER SCREEN: THE SPIRIT IS FULFILLING

By Brian Lafferty

 

June 3, 2011 (San Diego) – Ever since my mother died there have been times when I've imagined my mother’s spirit being around me. I fantasize being able to speak to her, telling her how I feel, asking her what it’s like on the other side.

 


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ON THE SILVER SCREEN: "HENRY'S CRIME" IS AMBITIOUS BUT LITTLE WORTH THE TIME

By Brian Lafferty

 

May 20, 2011 (San Diego) – There are terrible bad movies and there are good bad movies. The worst bad movies are devoid of any ambition. Those tend to be the most offensive. With good bad movies, I at least get the sense that the filmmakers tried to make a good movie, even if they didn’t succeed.

 


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ON THE SILVER SCREEN: TIREPOWER - FREEWHEELING TALE OF KILLER TIRE LOADED WITH DARK HUMOR

By Brian Lafferty

 

May 21, 2011 (San Diego) – Rubber is a portmanteau of the films of Luis Buñuel, David Cronenberg’s Scanners, and the road movie. It requires not only the largest suspension of disbelief but it necessitates putting any attempt at logic back into the furthest reaches of your mind. It is an utterly ridiculous movie but I enjoyed it for exactly that reason.

 


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