By Brian Lafferty
August 24, 2011 (San Diego) – The first five minutes of The Woman on the Beach are ominous, spellbinding and foreboding. Hanns Eisler’s booming and menacing score accompany the opening credits. The frame is backdropped with shots of the alluring beach and its forceful, foamy, and frothy tide. It’s a simple sequence of shots, but they’re chilling.