Clint Eastwood

ON THE SILVER SCREEN: NOTES FROM THE GRANDSTANDS (TROUBLE WITH THE CURVE)

By Brian Lafferty

September 24, 2012 (San Diego) – Last year’s Moneyball was a smart baseball movie, a behind-the-scenes look at the world of front office politics.  While slightly laid back and relaxed, everybody meant business.  Not too serious, but plenty of drama.  What happens when you fuse all that with Clint Eastwood-style wit and bit?  You get something like Trouble with the Curve

ON THE SILVER SCREEN: UNCONSCIENTIOUS DIRECTOR

By Brian Lafferty

 

November 11, 2011 (San Diego) – As a critic it’s easy to look at a film and say something like, “It would have been better if they did this.” The flaw of such logic is that there’s no guarantee that the replacements or additions would be any better than what made it onto the screen. Nor would excising a scene or plot necessarily benefit the movie.

 

ON THE SILVER SCREEN: CLINT EASTWOOD'S DIRECTION, PETER MORGAN'S SCRIPT GIVE "HEREAFTER" LIFE

By Brian Lafferty

 

October 23, 2010 (San Diego)--After the hilarious yet powerfully dramatic and tragic Gran Torino and the rousing Invictus, director Clint Eastwood has followed up with the somber and sedate Hereafter, which presented a challenge for my attention span. The movie opens with a spectacular tsunami that nearly takes the life of French journalist Marie LeLay (Cecile De France). For the first hour after this sequence I started getting a little restless, feeling that the film wasn’t delivering anything close to the level of the opening action. But that changed over the next hour and I began to fully appreciate it. It doesn’t rank among Eastwood’s best directorial efforts but it is a good movie that doesn’t have a lot to say about its subject matter but is interesting if you’re willing to listen.

 

ON THE SILVER SCREEN: “INVICTUS” IS ROUSING, WELL-WRITTEN, AND WELL-ACTED

By Brian Lafferty

December 21, 2009 (San Diego’s East County)--Invictus is a movie that brought out a lot of the fan in me. It is a feel good film that had me cheering. It is one of the most rousing films of the year.

The movie begins with the release of Nelson Mandela (Morgan Freeman) after decades of imprisonment. Through sometimes shocking and powerful real news footage, which includes riots, we see Mandela winning the South African presidency against all odds. This news footage is real from 1994, but in Forrest Gump style Morgan Freeman is digitally, and seamlessly, inserted in the real Mandela’s place. It wasn’t even five minutes in and I was starting to cheer for him to succeed.