John Goodman

ON THE SILVER SCREEN: THE LONG AND WINDING ROAD TO NOWHERE (INSIDE LLEWYN DAVIS)

 

By Brian Lafferty

December 20, 2013 (San Diego) – The year is 1961, and the setting is Greenwich Village in New York City.  Llewyn Davis (Oscar Isaac) is an aspiring folk singer – and a darn good one – just trying to earn a living.  As gifted as he is, it’s too bad nobody wants to hire him.  The film takes place during one week in which he finds his career – and himself – going nowhere at every turn.

ON THE SILVER SCREEN: BLAND EDUCATION (MONSTERS UNIVERSITY)

 

By Brian Lafferty

June 21, 2013 (San Diego) – There’s always a first for everything.  Monsters University is the first Pixar film I disapprove of (I should note that I still haven’t seen Cars 2).  Has Pixar gotten complacent since Toy Story 3?  It sure seems so.  Since 1995 they could be counted on to turn out a high-quality product.  Now they’re dangerously close to being indistinguishable from DreamWorks, Blue Sky Studios, and Sony Pictures Animation.

ON THE SILVER SCREEN: BLOTTO PILOT (FLIGHT)

Doing some catch-up on films I’ve missed.

By Brian Lafferty

December 15, 2012 (San Diego) – Every now and then someone writes to Dear Abby, saying his friend or relative is addicted to alcohol and drugs.  The friend thinks nothing is wrong with him, but doesn’t realize the damage his addiction is causing to his relationship with his friends, family, and significant other.  Invariably, all Abby can advise the writer is that – as much as he’d like to believe otherwise – he can't change or rescue his friend or loved one from their problem.  Only the friend can change and, unless he admits he has a problem, there’s nothing that anyone can do.

ON THE SILVER SCREEN: AFFLECK IN DANGERLAND (ARGO)

By Brian Lafferty

Photo courtesy of Warner Bros. Pictures

October 12, 2012 (San Diego) -- In the summer of 1993 my family and I went on a road trip through the Midwest.  Among our stops was St. Louis.  As the afternoon began to wind down, we headed for the parking garage.  It started to get overcast.  Shortly after, it started to rain a little bit.  Within seconds it poured like the dickens.  My parents, sisters, and I had to run all the way to the parking garage, but not before we were totally drenched.  We were so sopping wet, we had to change in the parking garage. 

ON THE SILVER SCREEN: NOTES FROM THE GRANDSTANDS (TROUBLE WITH THE CURVE)

By Brian Lafferty

September 24, 2012 (San Diego) – Last year’s Moneyball was a smart baseball movie, a behind-the-scenes look at the world of front office politics.  While slightly laid back and relaxed, everybody meant business.  Not too serious, but plenty of drama.  What happens when you fuse all that with Clint Eastwood-style wit and bit?  You get something like Trouble with the Curve