Christopher Nolan

ON THE SILVER SCREEN: HEAVY METAL (MAN OF STEEL)

 

By Brian Lafferty

June 14, 2013 (San Diego) – The original Superman was entertaining in the moment, but terribly flawed upon further reflection, especially the ending.  As much fun as I had watching it, the ending was one giant mass of plot holes.  I remember liking the somewhat turgid Superman Returns when I saw it in theaters seven years ago.  Today I can’t remember a single thing about it.  Other than that, I had limited exposure to the silly Superman II

ON THE SILVER SCREEN: "INCEPTION" DREAMS UP A RICH SCRIPT

By Brian Lafferty

 

"This is one of the best movies of the year." -- Brian Lafferty

July 22, 2010 (San Diego's East County)--Dreams have always been part of  cinema. A common film use is the “it was only a dream” stunt applied to generate cheap thrills and groans (Jaws: The Revenge) or to foment laughter (A Serious Man, An American Werewolf in London).  Dreams have also acted as visually expressive tools to reveal character or relay exposition (Salvador Dali’s dream sequence in Alfred Hitchcock’s Spellbound). Sometimes, dreams have been used to shock the audience (the movies of Luis Bunuel, particularly Un Chien Andalou, which opens with an eyeball being slashed).

 

Dreams may be old subjects in motion pictures, but with Inception Christopher Nolan has delivered one of--if not the most--original movie of the year, taking the concept in many new directions I never thought possible.