Ken Cinema

ENCORE: KEN CINEMA TO STAY OPEN

 

April 25, 2014 (San Diego)--The Show will go on at the Ken Cinema.

Landmark Theaters had announced it would shut down the single-screen movie theater in Kensington on April 27, due to failure to negotiate a long-term lease with the property owners, the Berkun Trust. The theater is one of only about a thousand single-screen theaters left in the U.S.,  and only one of three remaining in San Diego County.

"THE ROOM" CELEBRATES TEN YEARS AT THE KEN CINEMA AT MIDNIGHT OCT. 11 AND 12

 

 

October 10, 2013 (Kensington) – The Ken Cinema in Kensington, which celebrated its 100th anniversary last year, is one of only two regularly operating single-screen theaters in San Diego (the other being the new Digital Gym Cinema in North Park, which opened up in April this year).  The Ken is known for two things, the first being San Diego’s home to unique, niche films (as I’ve written about before). 

ON THE SILVER SCREEN: GROSS ANATOMY

By Brian Lafferty

 

October 7, 2011 (San Diego) – The Human Centipede II (Full Sequence) is a challenging movie not just in content but also in making me think about my response to it. It’s so easy for a critic to say that he likes or dislikes a film, especially when engaging in dialogue, rather than written expression. When a movie like this comes along, it’s not so black and white.

ON THE SILVER SCREEN: "HAPPY, HAPPY" JOY JOY

By Brian Lafferty

 

September 30, 2011 (San Diego) – There is an old proverb that goes, “Honesty is the best policy.” As a theme it serves Happy, Happy well. It’s refreshing to see a film so honest with everything, including its characters, their relationships with each other, and the situations they encounter. Most importantly, it’s honest with itself.

 

ON THE SILVER SCREEN: BACKWOODS IN ACTION

ON THE SILVER SCREEN: LIFE'S EPIC "MYSTERIES"

By Brian Lafferty

 

September 23, 2011 (San Diego) – A few years ago I watched the 1959 version of Ben-Hur. I sat in my seat mesmerized, so hooked that I did not take a single break during the entire three hours and forty-five minutes (which included the overture and intermission).

 

ON THE SILVER SCREEN: "SISTER" ACT

By Brian Lafferty

 

September 9, 2011 (San Diego) – Mozart’s Sister is the year’s leading candidate for the year’s dullest film. During the two hour running time I counted only three instances of mental stimulation and they were as brief as they could get. This is one of those movies in which there is absolutely nothing to think about.

 

ON THE SILVER SCREEN: "BELLFLOWER" POWER

By Brian Lafferty

 

September 2, 2011 (San Diego) – Satyajit Ray’s Pather Panchali. David Lynch’s Eraserhead. Sam Raimi’s The Evil Dead. Kevin Smith’s Clerks. What does Evan Glodell’s Bellflower have in common with all these films? They are all great movies shot on shoestring budgets.

 

ON THE SILVER SCREEN: GRAND "TREE"

ON THE SILVER SCREEN: TWO FOR THE ROAD

By Brian Lafferty

 

July 9, 2011 (San Diego) – The Trip is a Reader’s Digest condensed version of the hit British TV sitcom of the same name. Normally sitcoms and cinema go as well together as peanut butter and mayonnaise. Director Michael Winterbottom reverses this trend with a film that makes a smooth transition from the small screen to the big screen.

 

“I SAW THE DEVIL” DIRECTOR SHARES DIABOLIC SUSPENSE DETAILS IN INTERVIEW WITH ECM

By Brian Lafferty

March 18, 2011 (San Diego)--Opening today at the Ken Cinema is director Kim Jee-Woon’s thriller,  I Saw the Devil. I had an opportunity for a brief interview with the director about the picture, in which he shares secrets of creating cinematic suspense. 

ON THE SILVER SCREEN: "PATRIK, AGE 1.5" OVERCOMES FORMULAIC SCRIPT WITH ROMANCE, HUMOR, AND FINE ACTING

By Brian Lafferty

 

August 22, 2010 (San Diego)--Patrik, Age 1.5 is formulaic, super-sweet, and very sentimental but I liked it. The movie opened on Friday and is playing at the Ken Cinema until Thursday. I found the structure to be overly predictable and some of the song choices questionable and gag-inducing but it was to me a worthwhile cinematic experience.